Born 1967, in Esch-sur-Alzette, Luxemburg
Died 2002, in Luxemburg

Education

1986-1992 Staatliche Akademie der Bildenden Künste, Stuttgart
2000-2001 DAAD-Stipend, Los Angeles

Solo Exhibitions (selected)

2014

“Michel Majerus”, Matthew Marks Gallery, New York

2013

“Michel Majerus and Andreas Eriksson: Levitation”, Michel Majerus Estate, Berlin
“Michel Majerus: Mace the space ace”, Art Basel Unlimited, Basel
“Michel Majerus: Beautiful Way”, Michel Majerus Estate, Berlin

2012

“Michel Majerus”, CAPC - Musée d’ art contemporain, Bordeaux, France

2011

Michel Majerus, Kunstmuseum Stuttgart, Stuttgart, Germany
Michel Majerus, Goethe Institut, Moscow, Russia

2009

Michel Majerus, Neugeriemschneider, Berlin, Germany
Michel Majerus, Nosbaum & Reding, Luxembourg

2007

“Groupshow”, Gallery S. E., Bergen
“Perspektive 07”, Staedtische Galerie im Lenbackhaus & Kunstbau, Munich
“Reality bites- Kunst nach dem Mauerfall”, Obelviller, Russelsheim
“New Acquisition”, Le Case d’Arte, Milan
“100 Jahre Kunsthalle Mannheim”, Stadtische Kunsthalle Mannheim, Mannheim
“Comic Abstraction – Image-Breaking, Image-Making”, MOMA, New York
“Reality Bites – Making Avant-garde Art in Post Wall Germany”, Mildred Lane Kemper Art Museum, Saint Louis, MO

2005

Sprüth Magers Lee, London
“Progressive Aesthetics”, neugerriemschneider, Berlin
“Demand the best don’t accept excuses”, Deichtorhallen, Hamburg
Kestner Gesellschaft, Hannover
Kunsthaus Graz am Landesmuseum Joanneum, Graz

2004

“Michel Majerus, Pop Reloaded”, Tate Liverpool, Liverpool

2002

“Reality Check, painting in the exploded field: selections from the Vicki and Kent Logan Collection”, CCAC Wattis Institute for Contemporary Arts, San Fransisco
“Controlling the moonlight maze”, neugerriemschneider, Berlin
Asprey Jacques, London
Friedrich Petzel Gallery, New York

2001

Eleni Koroneou Gallery, Athens

2000

“If we are dead, so it is”, Kölnischer Kunstverein, Cologne (cat.)
“Demand the best don’t accept excuses”, Monika Sprüth Galerie, Cologne
“The space is where you’ll find it”, Delfina, London

1999

Schnitt Ausstellungsraum, Cologne. With Björn Dahlem.
“Never trip alone – Always use 2 player mode”, Eleni Koroneou Gallery, Athens
“Sein lieblingsthema war sicherheit; seine these - es gibt sie nicht”, neugerriemschneider, Berlin
“Thai-Ming”, Asprey Jacques, London
Galerie Rüdiger Schöttle, Munique. With Jenny Holzer.
Gió Marconi, Milan

1998

“Never trip alone. always use 2 player mode”, Eleni Koroneou Gallery, Athens

1997

“Space Safari”, Anders Tornberg Gallery, Lund
“Qualified”, Galeria Gió Marconi, Milan
“Produce-Reduce-Reuse”, Galerie Karlheinz Meyer, Karlsruhe

1996

“Aesthetic Standard”, Grazer Kunstverein, Graz
Monika Sprüth Galerie, Cologne
“Fertiggestellt zur Zufriedenheit aller, die Bedenken haben”, neugerriemschneider, Berlin
Kunsthalle Basel, Basel (cat.)
The Museum of Modern Art Syros, Cycladen
“Aquarell”, Hamburger Kunstverein, Hamburg

1994

neugerriemschneider, Berlin

Group Exhibitions

2014

“69/96”, Alte Fabrik, Rapperswil, Switzerland
“Traces of Modernism”, Kunstmuseum Wolfsburg, Wolfsburg, Germany
“ART IN EUROPE SINCE 1945: BEYOND BOUNDARIES”, Macedonian Museum of Contemporary Art, Thessaloniki, Greece

2013

“6 Artists”, Eleni Koroneou Gallery, Athens
“Selected Works”, Southfirst, New York, NY

2012

“Language Games”, Centro de Artes Visuales Helga de Alvear, Caceres
“Keine Zeit – Erschoepftes Selbst/ Ergrenztes Koennen, 21er Haus, Viena
“Pink Caviar”, Louisiana Museum of Modern Art, Humlebaek
“Beyond the Paramount”, Galerie Michael Jansen Berlin, Berlin

2011

“Now: Obras De La Coleccion Jumex, Instituto Cultural Cabanas, Guadalajara
“Within Beyond Borders, Byzantine & Christian Museum, Athens
“MMK 1991-2011: 20 Jahre Gegenwart – Museum fur Moderne Kunst, Frankfurt am Main
“8 Artists», Eleni Koroneou Gallery, Athens
“Private/ Corporate VI, Daimler Contemporary, Berlin
German Art, Galleri K, Oslo

2010

“Collision”, The RISD Museum, University of Rhode Island, Providence, RI
“Public Private Paintings”, Kunstmuseum Aan Zee, Oostende, Belgium
“Se Nao Neste Tempo”, Pintura Alema Contemporanea: 1989-2010, Museu de Arte de Sao Paolo Assis Chateaubriand, MASP, Sao Paolo
“Margenes de Silencio/ Margins of Silence, Centro de Artes Visuales Helga de Alvear, Caceres
“The Travelling Show”, Galeriea de Fundacion/ Coleccion Jumex, Mexico City
“All about words”, Muller Gallery, Knokke-Heist

2009

“Slow Paintings”, Museum Morsbroich, Leverkusen
“Carte Blanche IX: Vor hemischer Kulisse”, Galerie fur Zeitgenossische Kunst, GfZK, Leipzig
“Kunst x 80 I Jahr x 80, Kunstlerhaus Graz am Joanneum, Graz
“Access All Areas”, A drawing exhibition, Galerie Max Hetzler, Berlin
“Berlin 89/09 – Kunst zwischen Spurensuche und Utopie, Berlinische Galerie, Berlin
“The World is Yours”, Louisiana Museum of Modern Art, Humlebaek
“Zimmer mit Aussicht”, Galerie Michael Schultz, Berlin
“Extended”, Sammlung Landesbank Baden Wutternberg, ZKM, Karlsruhe
“Privat”, Wuppertaler Sammler der Gegenwart, Von der Heydt Museum, Wuppertal

2008

“Now is the Time”, Dublin City Gallery The Hugh Lane, Dublin
Im Rahmen des Projektes “Hannover Goes Fashion”, Sprengel Museum Hannover, Hannover
“Painting Now and Forever Part II”, The Greene Naftali Gallery, New York
“Pasions Privadas, Visions Publicas”, MARCO Museo de Arte Contemporanea de Vigo, Vigo
“Vertrautes Terrain – Aktuelle Kunst in und uber Deutschland”, ZKM, Karsruhe
“Out of Storage”, MUDAM, Luxembourg
“Pop goes the Wease! “, Basischer Kunstverein, Karlsruhe
“Skulpturen im Blickpunkt”, Stadtische Kunsthalle Mannheim, Mannheim

2007

“100 Jahre Kunsthalle Mannheim”, Stadtische Kunsthalle Mannheim, Mannheim
“Comic Abstraction – Image-Breaking, Image-Making”, MOMA, New York
“Reality Bites – Making Avant-garde Art in Post Wall Germany”, Mildred Lane Kemper Art Museum, Saint Louis, MO

2006

“Klartext Berlin”, Kunstraum NOE, Vienna
“Essential painting”, The National Museum of Art, Osaka
“Dick auftragen”, Gelerie Helmut Leger, Munich
“Full House – Gesichter einer Sammlung”, Stadtische Kunsthalle Mannheim, Mannheim
“Location Shots”, Galeire Ema Hecey, Brussels

2005

“Golden Krust”, Nicole Klagsbrun Gallery, New York
“What looks good today may not look good tomorrow”, Kestnergesellschaft, Hannover
“Demand the best don’t accept excuses”, Deichtorhallen Hamburg
“What looks good today may not look good tomorrow”, Stedelijk Museum, Amsterdam
“Peinture Allemande”, Carré d’Art, Nîmes
“Just do it”, Lentos Kunstmuseum Linz
“Willem de Kooning – Retrospektive”, Kunsthalle Rotterdam, Rotterdam
“Strips and Characters”, Kunstverein Wolfsburg, Wolfsburg

2004

“Treasure Island - 10 Jahre Sammlung Kunstmuseum Wolfsburg”, Kunstmuseum
Wolfsburg

2003

“Ice Hot - Recent Painting from the Scharpff Collection”, Hamburger Kunsthalle

2002

“Hossa. Arte Alemán del 2000, Deutsche Kunst der 2000er Jahre”, Centro Cultueal
Andratx, Mallorca
“No Return”, Sammlung Haubrok, Städtiches Museum Abteiberg, Mönchengladbach
Asprey Jacques, London
Palais de Tokyo, Paris

2001

“Casino 2001”, S.M.A.K., Gent (cat.)
niels borch jensen verlag und druck, Berlin
“Poetry in motion”, MindBar, Lund
“Viel Spass”, Espace Paul Ricard, Paris
M Art In(n), Helsingborg, Sweden
“Freestyle”, Werke aus der Sammlung Boros, Museum Morsbroich, Leverkusen

2000

“Pflumm”i, Brix-Kunstraum, Berlin (cat.)
“Salon”, Delfina Project Space, London
“Malkunst”, Fondazione Mudima, Milan (cat.)
“Hausschau - das haus in der kunst”, Deichtorhallen Hamburg (cat.)
Taipe- Biennale, Taipe, Tawain
“Négociation”, Centre Régional d´Art Contemporain, Languedoc-Roussillon, Sète
“Mission impossible”, Charim Klocker, Vienna
“At your service”, Gasser & Grunert, New York. Curated by Karin Pernegger.

1999

“German Open”, Kunstmuseum Wolfsburg (cat.)
“Colour Me Blind!”, Württemberger Kunstverein Stuttgart, Stuttgart (cat.). Traveled to Städtische, Ausstellungshalle Am Hawerkamp, Münster; Dundee Contemporary Arts
“Die Schule von Athen”, Municipality of Athens - Technopolis, Athens (cat.)
“Kraftwerk BERLIN”, Aarhus Kunstmuseum (cat.)
“Le Capital: tableaux, diagrammes, bureaux d´études”, Centre Régional d´Art
Contemporain, Languedoc-Roussillon, Sète (cat.)
“Zoom”, Sammlung Landesbank Baden-Württemberg, Stuttgart. Traveled to Museum
Abteiberg, Mönchengladbach; Kunsthalle zu Kiel, Kiel. (cat.)
“Originale echt/falsch”, Neues Museum Weserburg Bremen, Bremen (cat.)
“Nach-Bild”, Kunsthalle Basel, Basel (cat.)
“Objects in the Rear View Mirror may Appear Closer than They Are”, Galerie Max Hetzler, Berlin. Curated by Aue von Wolfram.
“dAPERTutto”, 48. Esposizione Internazionale d´Arte, La Biennale di Venezia, Venedig (cat.)
Galleri Nicolai Wallner, Copenhagen
Galeria Mário Sequeira, Braga
“expanded design”, Salzburger Kunstverein, Salzburg
“de coraz(i)on”, Tecla Scala, Barcelona (cat.)
“Made in Berlin”, House of Cyprus, Athens (cat.)

1998

“Malerei”, Galerie Karlheinz Meyer, Karlsruhe
“Made in Berlin”, Rethymnon Centre for Contemporary Art, Kreta (cat.)
“manifesta2”, Luxemburg (cat.)
“Das Jahrhundert der künstlerischen Freiheit. 100 Jahre Wiener Secession”,
June, Vienna (cat.)
“Tell Me a Story:Narration in Contemporary Painting and Photography”,
Magasin, Centre National d’Art Contemporain de Grenoble, France (cat.)

1997

“Topping Out”, Städtische Galerie, Nordhorn (cat.)
“Imbiß”, Künstlerhaus Stuttgart
“Faustrecht der Freiheit”, Sammlung Volkmann, Kunstsammlung, Gera

1996

“Alle Neune”, ACC Galerie, Weimar
“Wunderbar”, Hamburger Kunstverein, Hamburg
“Something changed”, Helga Maria Klosterfelde, Hamburg

1993

“Malerei III”, 1996, Monika Sprüth Galerie, Cologne
“polish women”, allgirls, Berlin
“Wunderbar”, Kunstraum, Vienna

1992

“Under Thirty”, Galerie Metropol, Vienna (cat.)

Bibliography

2006

Eichler, Dominic, “Back”, Frieze, April, 2006, pp. 156-157 (ill)
Birnbaum, Daniel, “Search Engine: The Art of Michel Majerus”, Artforum, February 2006, pp. 168-173

2005

Fricke, Harald, “Und Größe bewegt doch”, Die tageszeitung, November 22, 2005
“Michel Majerus – demand the best, don’t accept excuses”, Hamburg.de, November 22, 2005
Tröster, Christian, “Größer, bunter, lauter”, Welt am Sonntag, November 20, 2005
Buhr, Elke, “Das euphorische Jahrzehnt”, Frankfurter Rundschau, November 18, 2005
Herrndorf, Ursula, “Gigantischer Triumph der Malerei”, Hamburger Abendblatt, November 18, 2005
Hofmann, Isabelle, “Kunst mit Hang zum gigantischen Format”, Hamburger Morgenpost, November 18, 2005
Pohl, Julika, “Großes Wohlgefallen in den Deiichtorhallen”, Die Welt, November 18, 2005
“galerienspiegel”, Die Tageszeitung, November 17, 2005
“Malerei im Großformat”, Hamburger Abendblatt, November 17, 2005
“Gigantische Comic-Figuren von Michel Majerus in Hamburg”, Märkische Oderzeitung, November 17, 2005
Gardner, Belinda Grace, “Giganten der Gestaltung”, Welt am Sonntag, November 13, 2005
“Michel Majerus in Hamburg (18.11.05-26.01.06) und Hannover (19.11.-12.2.06)”, Artin.de, November 12, #### 2005
“Kunst-Kritik”, Kulturnews, November 2005
“Ausstellungen”, Monopol, October/November 2005, p. 141
Fricke, Harald, “Painting at a Rate of 150 Beats per Minute: Michel Majerus”, db artmag, issue 30, 9/27/05 – 10/26/05
Bruciati, Andrea, “Michel Majerus”, Tema Celeste, September/October 2005, p. 87
Herbert, Martin, “Michel Majerus”, Artforum, September 2005, p. 166
Michael Majerus, “La Nouvelle Peinture Allemande”, Actes Sud, pp. 110-117
“Michel Majerus”, Plum Collection: Museum Jurhaus, Kleve, 2005, p. 108-109

2004

Grynsztejn, Madeleine, (ed) “Supernova: Art of the 1990’s from the Logan Collection”, San Fransisco Museum of Modern Art Exhibition Catalogue, 2003, pp.167
“A New Millennium for a New Millennium: Abstraction and Surrealism Are Reinvented in the Internet Age”, The Logan Collection Vail, pp. 5, 51
Birnbaum, Daniel, “Sampling the Globe”, Art Forum, October 2004, p. 242
“Das Offene Museum – The Open Museum”, Kunstmuseum Wolfsburg, catalogue for the ten year anniversary of museum, pp. 114f., 132, 136, 152
Key Events, “in: The London Daily Post”, Jan. 14, 2004
Michel Majerus Exhibition, in: Mersey Mart, March 4, 2004
“Pop Reloaded”, in: Blueprint, March 2004
“Art Events”, in: Concept for Living, March 2004
“Michel Majerus, Pop Reloaded”, in: MoveOut, Feb.-April 2004
Brown, Chris, “Tate Gallery Tribute to Plane Crash Artist”, in: London Daily Post, Jan. 27, 2004
Zamet, Kate, “On the Verge of World Domination”, in: Blueprint, April 2004

2003

Gonzalez, Veronica and Stapleton, Lara, Juncture, Soft Skull Press, New York, 2003, p. 155
Heinrich, Christoph, Zimmer, Nina (eds.), “Heißkalt – Aktuelle Malerei aus der Sammlung Scharpff”, Hamburger Kunsthalle, Staatsgalerie Stuttgart, 2003, pp12f., pp. 58-64
“Painting Pictures - Painting and Media in the Digital Age”, Kerber Verlag , 2003, pp. 73, 106, 138, 164, 209
Thiel, Wolf Günter, “Michel Majerus”, Flash Art International, January-Februay 2003, p.46
Birnbaum, Daniel, “Michel Majerus 1967-2002”, Frieze, issue 72, January-February 2003

2002

Breuvart, Valérie (ed.), “Vitamin P”, Phaidon Press, 2002, pp. 196-199
Levine, Cary, “Michel Majerus at Friedrich Petzel”, Art in America, December 2002
Deutsche Presseagentur, “Gedenkstunde fuer die Absturzopfer”, Tagesspiegel.de, November 11, 2002
11.10.02 Michel Majerus Dies in Plane Crash at Thirty-five, Artforum.com, November 10, 2002
Die meisten Absturzopfer waren Dienstreisende. Einer der Manager arbeitete am Ausbau des Luxemburger Airports, Tagesspiegel.de, November 8, 2002
Heiser, Joerg, “Hier, jetzt”, Sueddeutsche Zeitung, November 8, 2002
Wittneven, Katrin, “Die Absichten des Kuenstlers”, Tagesspiegel.de, November 8, 2002
Richter, Peter, “Welten aus Malerei”, Frankfurter Allgemeine Zeitung, November 8, 2002, p. 46
Blomberg, Katja, Der Kuenstler Michel Majerus unter den Opfern, FAZ.NET, November 7, 02
Pollack, Maika, “Michel Majerus”, Flash Art International, no. 226, October 2002, pp. 101- 102
Vitamin P, Phaidon Press, London, 2002
Siegel, Katy, “Best of 2002, #9”, Artforum, December 2002, pp. 126-127
Burton, Johanna, Michel Majerus, Leuchtland, Time Out New York, October 10-17, 2002, p.53
Reed, John, “Space Invaders”, artnet.com, October 10, 2002
Johnson, Ken, “Michel Majerus”, The New York Times, October 11, 2002, p. E39
“Michel Majerus”, The New Yorker, September 2002
Dailey, Meghan, “Michel Majerus”, artforum.com, September 12, 2002
Ryan, David, Reviews International, Berlin, Art Papers, September-October 2002, p. 52
Burgi, Bernhard Mendes (ed.), “Painting On The Move”, Exhibition Catalogue, 2002
Grosenick, Uta and Burkhard Riemschneider (ed.), “Art Now”, Taschen, 2002, pp. 284-287
Allen, Jennifer, “Michel Majerus”, Artforum.com, April 2002
“No Return”, Exhibition Catalogue, Sammlung Haubrok, Städtiches Museum, Abteiberg, Mönchengladbach, pp. 88-89
Smith, Roberta, “Grown Up and in Love With Color”, The New York Times, February 22, 2002

2001

“Casino 2001”, Exhibition Catalogue, S.M.A.K., Gent
Meneguzzo, Marco, Avventura oltre il Muro, AD Antiques & Collectors, March 2001, no. 238, pp. 120-125
Heidenreich, Stefan, “Pflummis, springt auf diese Stadt!”, Frankfurter Allgemeine Zeitung, January 3, 2001
Bers, Miriam, “Berlin, from neo pop to crossculture”, Tema Celeste, January-February 2001, pp. 70-75
Liebs, Holger, “Generation Klecks”, Süddeutsche Zeitung, January 9, no. 6, p. 15

2000

Smolik, Noemi, “Die Absichten des Künstlers werden überbewertet”, Frankfurter Allgemeine Zeitung, November 3, 2000, no. 256, p. 49
Smolik, Noemi, “Michel Majerus: If We Are dead, So It Is”, Artforum, September 2000, p. 81
Lösel, Anja, and Kerstin Ehmer (Fotos), “Glühende Bilderlust”, Stern, September 28, 2000, no. 40, pp. 90, 94
Koerver, Jens Peter, “New Painting, Der Stand der Bilder”, Frame, no. 3, July-August 2000, p. S46
Frangenberg, Frank, “Leere Unwirklichkeit und Popkultur”, Kölner Stadt Anzeiger, May 6, 2000
Sumpter, Helen, “Everything plasticine”, I-D, no. 197, 2000
Herbert, Martin, “Michel Majerus”, Time Out, April 19-26, 2000, no. 1548
“Michel Majerus at Delfina”, londonart.co.uk, 2000
Horáková, Dana, “Schönheit gibt es nicht, nirgendwo”, Welt am Sonntag, February 27, 2000, no. 9, S.45

1999

Smolik, Noemi, “Michel Majerus”, Kunstforum International, December 1999 - January 2000, no. 148, pp. 316 -317
Stange, Raimar, “Never Trip Alone”, Kunstbulletin, no. 11, November 1999, pp. 12 -17
Gispert-Saüch, Montse, “Abstracció i decoració”, AVUI, May 6, 1999, p. 19
La decorazione è femminile, Il Gionale dell’arte, April 1999, no. 176
Spiegel, Olga, El Centre Tecla Sala muestra los vínculos entre la pintura abstracta y la decoratión, La Vanguardia, March 3, 1999, p. 44
Bosco, Roberta, “Abstracción y decoración”, El periodico del arte, no. 20, March 1999
Küper, Susanne, “Michel Majerus”, MoM Block, Nach-Bild, Exhibition Catalogue, Kunsthalle Basel, 1999, pp. 60-61
Standfest, Christine, “Michel Majerus, dAPERTutto”, Exhibition Catalogue, 48. Esposizione Internazionale d’Arte, La Biennale di Venezia, pp. 282-285
Ceresoli, “Jacqueline”, Gió Marconi, July, June 1999, no. 93, p. 75
Titz, Susanne, “Michel Majerus, Art at the Turn of the Millennium”, Taschen, Cologne, pp. 330-333
Luz, Kathrin, “Michel Majerus”, Noëma, January-March 1999, no. 50, pp. 80-81

1998

Posca, Claudia, “Manifesta in Luxemburg”, Kunstforum International, October – November 1998, no. 142, pp. 311-315
Thiel, Wolf-Günter, “Cover Story”, Flash Art International, October 1998, cover + p. 74
Richter, Horst, “Geschichte der Malerei im 20. Jahrhundert”, Dumont Köln, p. 283
Kotteder, Franz, “Kunst ist für alle da”, Süddeutsche Zeitung, September 11, 1998, p. 17
“Manifesta 2 - Ein Fotorundgang”, Kunstforum International, October-November 1998, no. 142, pp. 316-353
Kannenberg, Sofia, “Pusten bis zum Platzen”, Berliner Morgenpost, September 26, 1998
Drühl, Sven, “Verstrickungen”, Kunstforum International, no. 141, July -September 1998, pp. 172-183
Wiensowski, Ingeborg, “Michel Majerus”, Spiegel Kultur extra, June 1998, p. 24

1997

Larson, Lars Bang; “Pop-maleri i højeste gear”, Politiken, October 24, 1997, p. 32
Jönsson, Dan, “Konst som musik”, Sydvenskan, October 23, 1997
Birnbaum, Daniel, “Grällt visuellt kaos”, Dagens Nyheter, October 10, 1997, p. B3
Agrell, Alexander, “Stor spännvidd hos ung tysk”, Sydsvenskan, October 4, 1997, p. D4
Kleine, Susanne, “Persönliche Sicht auf Polke”, Bonner Rundschau, September 6, 1997
Hall, Kim, “Samtida konst i starka färger”, Skanska Dagbladet, October 4, 1997, p. 21
Stange, Raimar, “Michel Majerus”, Artist Kunstmagazin 2, no. 31, p. 18 - 21
Birnbaum, Daniel, “The power of now”, Frieze, issue 34, pp. 54-55
“Malerische Entzauberung. Wenn die Zitate frei flottieren”, Salzburger Nachrichten, January 8, 1997

1996

“Wie “high” und “low” zusammenfanden”, Neue Zeit, December 12, 1996
Titz, Walter, “Weniger ist viel mehr”, Kleine Zeitung, December 12, 1996
Karcher, Eva, “Junge Kunst; Statt neuer Ideen am liebsten neue Bilder”, Art, no. 10, p. 47
Frangenberg, Frank, “Malerei III”, Kunstforum, no. 135, October 1996 - January 1997
Vielhaber, D. Christiane, Handelsblatt, November 15 - 16, 1996, no. 222, p. G3
Rauterberg, Hanno, “Der Funkturm sind wir”, Die Zeit, no. 45, November 1, 1996
Herbstreuth, Peter, “Muffelt nach Käse”, Der Tagesspiegel, July 8, 1996, p. 19
Seyfarth, Ludwig, “Mein wunderbarer Malsalon”, Szene, no. 6, pp.88-89
Kawai, Sumi, “Michel Majerus”, BT, June 1996, pp. 62, 63, 76, 77
Müller, Hans-Joachim, “Die Wände verstellt, der Boden weich”, Basler Zeitung, March 12, no. 61
“Hundert Quadratmeter Kandinsky mit “Dash” Reklame”, Die Welt, February 24, 1996

1994

Werneburg, Brigitte, “Roger Rabbit sprengt das Format”, Tageszeitung, November 26, 1994, p. 36