Eleni Koroneou Gallery

Nick Mauss

Shell-from color, 2015, Charcoal, acrylic, pastel on cloth, mounted on aluminium, 101.6 x 76.2 cm (40 x 30 inches)

Shell-from color, 2015, Charcoal, acrylic, pastel on cloth, mounted on aluminium, 101.6 x 76.2 cm (40 x 30 inches)

Nape, 2015, Acrylic on cloth, mounted on aluminum, 77.5 x 57.2 cm (30 1/2 x 22 1/2 inches)

Nape, 2015, Acrylic on cloth, mounted on aluminum, 77.5 x 57.2 cm (30 1/2 x 22 1/2 inches)

How to address you my, 2014, Solarized silver gelatin contact print from smoked glass negative, 40.6 x 50.2 cm (16 x 19 3/4 inches)

How to address you my, 2014, Solarized silver gelatin contact print from smoked glass negative, 40.6 x 50.2 cm (16 x 19 3/4 inches)

How to address you my, 2014, Solarized silver gelatin contact print from smoked glass negative, 40.6 x 50.2 cm (16 x 19 3/4 inches)

How to address you my, 2014, Solarized silver gelatin contact print from smoked glass negative, 40.6 x 50.2 cm (16 x 19 3/4 inches)

Tinged, 2015, Acrylic on cloth, mounted on aluminum, 76.2 x 101.6 cm (30 x 40 inches)

Tinged, 2015, Acrylic on cloth, mounted on aluminum, 76.2 x 101.6 cm (30 x 40 inches)

Redo, 2015, Acrylic and charcoal on cloth mounted on aluminum, 76.2 x 101.6 cm (30 x 40 inches)

Redo, 2015, Acrylic and charcoal on cloth mounted on aluminum, 76.2 x 101.6 cm (30 x 40 inches)

Divider, 2015, Acrylic on cloth mounted on aluminum, 57.2 x 77.5 cm (22 1/2 x 30 1/2 inches)

Divider, 2015, Acrylic on cloth mounted on aluminum, 57.2 x 77.5 cm (22 1/2 x 30 1/2 inches)

Station, 2015, Charcoal and gouache on paper, acrylic on cloth, mounted on aluminum, 57.2 x 77.5 cm (22 1/2 x 30 1/2 inches)

Station, 2015, Charcoal and gouache on paper, acrylic on cloth, mounted on aluminum, 57.2 x 77.5 cm (22 1/2 x 30 1/2 inches)

Where else, 2015, Acrylic and pastel on cloth, mounted on aluminum, 77.5 x 57.2 cm (30 1/2 x 22 1/2 inches)

Where else, 2015, Acrylic and pastel on cloth, mounted on aluminum, 77.5 x 57.2 cm (30 1/2 x 22 1/2 inches)

Involve, 2015, Acrylic and pastel on cloth, mounted on aluminum, 77.5 x 57.2 cm (30 1/2 x 22 1/2 inches)

Involve, 2015, Acrylic and pastel on cloth, mounted on aluminum, 77.5 x 57.2 cm (30 1/2 x 22 1/2 inches)

Born 1980 in New York
Lives and works in New York and Berlin

Education

2003 B.F.A. The Cooper Union for the Advancement of Science and Art, New York

Solo Exhibitions

2023

Gladstone Gallery, Brussels

2022

Likenesses, Villa Atrata, La Roche-Posay
Project Room: End of Day, 303 Gallery, New York

2021

Campoli Presti, Paris

2019

Bizarre Silks, Private Imaginings and Narrative Facts, etc., Kunsthalle Basel

2018

303 Gallery, New York
Dispersed Events, Ralph Landau Building at MIT, Cambridge (Permanent Commission)
"Transmissions", Whitney Museum, New York

2017

"until: and then: blinding", Campoli Presti, Paris
“Intricate Others”, Serralves Museum of Contemporary Art, Portugal
“Illuminated Window”, Palazzo della Triennale and Torre Velasca, Milan

2015

Eleni Koroneou Gallery, Athens
303 Gallery, New York, NY

2014

Campoli Presti, London
"By, With, To & From", Fiorruci Art Trust, London

2013

Bergen Kunsthall, Bergen
MD 72, Berlin

2012

"answering a glance, glance up", Indipendenza Studio, Rome
"The desire for the possibility of new images", 303 Gallery, New York
"Invitation a l’Étude", kim?, Riga

2011

"Disorder", FRAC Champagne-Ardenne, Reims
KIM, Riga, Latvia
"Reversible Surface", Hiromi Yoshii, Tokyo
Midway Contemporary Art Minneapolis, Minnesota

2010

Galerie Neu, Berlin
Galleria il Capricorno, Venice

2009

303 Gallery, New York

2008

"have meant", Hiromi Yoshii Gallery, Tokyo

2007

"A Fair to Meddling Story (with Ken Okiishi)", Künstlerhaus Stuttgart
"Lymph Est", Galerie Neu, Berlin
"One Season in Hell (with Ken Okiishi)", Gavin Brown’s Enterprise, New York

2005

Daniel Reich Gallery, New York

2003

"Magnetic Living (with Shelby Hughes)", Daniel Reich Gallery, New York

Group Exhibitions

2022

Christian Bérard, Excentrique Bébé, Nouveau Musée National de Monaco, Villa Paloma

2019

Transcorporealities, Museum Ludwig, Cologne
A Vision For Painting, Foundation Louis Vuitton/ The Collection, Paris

2019

"THE COLLECTION OF THE FONDATION: A VISION FOR PAINTING", Fondation Louis Vuitton, Paris

2017

“Medusa”, Musee d’Art Moderne de la Ville de Paris, Paris
“Plages”, Campoli Presti, London and Paris
“Roberto Burle Marx: Brazilian Modernist”, Deutsche Bank Kunsthalle, Berlin

2016

“Question the Wall Itself”, curated by Fionn Meade, Walker Art Center, Minneapolis
“Designing Dreams, A Celebration of Leon Bakst”, Nouveau Musée National de Monaco, exhibition design by Nick Mauss
"Roberto Burle Marx: Brazilian Modernist", The Jewish Museum, New York
"Same But Different", Eleni Koroneou Gallery, Athens

2015

".Drawing | THE BOTTOM LINE", S.M.A.K., Ghent, Belgium
"Impossible Love", curated by Vincent Honoré (David Roberts Art Foundation), Projektraum Viktor Bucher, Vienna
"Over you/you", The 31st Biennial of Graphic Arts, Ljubljana

2014

"Florine Stettheimer", Lenbachhaus, Munich
"Essential Loneliness", Taylor Macklin, Zurich
"The Material image", Marianne Boesky Gallery's townhouse, New York
"Portraits d'Interieurs", Nouveau Musee National Monaco
"Installation View", Nassauischer Kunstverein, Wiesbaden

2013

"Test Pattern", Whitney Museum of American Art, New York
"Avant de rentrer, il faut incindier la maison", Thomas Duncan Gallery, Los Angeles
"The Sixth Year", Anthology Film Archives, New York
"Claire Fontaine, Alex Hubbard, Matias Faldbakken, Nick Mauss, Cerith Wyn Evans...", Galerie Neu, Berlin
"On the Move - European Kunsthalle", Kunsthaus Bregenz
"Pride Comes Before a Fall", Artists Space, New York
"Festival der Kleinskulptur", Halle für Kunst Lüneburg, Lüneburg
"Catch as Catch Can", Locks Gallery, Philadelphia

2012

"Whitney Biennial", Whitney Museum of American Art, New York
"Monika Baer, Kim Gordon, Nick Mauss", Mathew, Berlin
"Relocated" (with Ken Okiishi), MD72, Berlin
"Grosse Jahresgabenausstellung", Koelnischer Kunstverein, Cologne

2011

"Midnight Party", Walker Art Center, Minneapolis Germany is Your America, Broadway 1602, New York
"Lukas Duwenhögger, Nick Mauss, Birgit Megerle, Katharina Wulff, Amelie von Wulffen", Galerie NEU
"Nobody Can Tell The Why Of It", 1857, Oslo
"Adequate" (with Michaela Eichwald and David Lieske), Sommer Contemporary, Tel Aviv
"Kompass", Martin Gropius Bau, Berlin
"A Different Person", Badischer Kunstverein, Karlsruhe 2010 The Baghdad Batteries, P.S.1, New York
"The Evryali Score", David Zwirner, New York
"Bloodflames III", Alex Zachary, New York (curated by Nick Mauss) Greater New York, P.S.1
"The Mass Ornament", Gladstone Gallery, New York
"Provence O", Halle für Kunst, Lüneburg
"Strange Comfort (Afforded by the Profession)", Kunsthalle Basel
"Inaugural Group Show", Broadway 1602, New York
"Surviving H1N1", curated by Guillaume Rouchon, Contemporary by Golconda, Tel Aviv

2009

Tbilisi6, Tbilisi
"Non-Solo show, Non-Group show", Kunsthalle Zürich
"Compass in Hand. Selections from the Judith Rothschild Foundation Contemporary Drawings Collection", Museum of Modern Art, New York
"Dreaming The Mainstream", Vilma Gold Gallery, London
"Quodlibet II", Galerie Daniel Buchholz, Cologne
"modern modern", Chelsea Art Museum, New York
"Nostalgia Isn’t What It Used To Be", curated by Sharon Hayes and Brooke O’Hara, La MaMa Theater, New York

2008

"Review", Galerie Neu, Berlin
"Were, there, severe, (thin line)", Galleria Alessandro de March, Milan One Season in Hell, MD72, Berlin
"Not So Subtle Subtitle", Casey Kaplan Gallery, New York
"Some Neighbors", Kunstverein Munich
"Sunset", Magasin, Grenoble

2007

"Exposition N° 1", Balice/Hertling, Paris

2006

"When Artists Say We", Artist's Space, New York
"All Dressed Up With Nowhere to Go", Sorcha Dallas, Glasgow
"Between the Lines", Hotel Chelsea, New York (curated by Nick Mauss)

2005

"Words: The Formal Presence of Text in Modern and Contemporary Works on Paper",
Andrea Rosen Gallery, New York
"Nick Mauss & Elizabeth Peyton", Glenn Horowitz Booksellers, Easthampton, New York
"Exile: New York is a Good Hotel", Broadway 1602, New York

2004

"Home", AFA - American Fine Arts Co., Colin de Land Fine Art, New York (organized by Patterson Beckwith)
"Happy Days Are Here Again", David Zwirner Gallery, New York
"Nowojorskie Porno", Foksal Gallery Foundation, Warsaw (curated by Monika Szukowska)
"The New Romantics", Greene Naftali Gallery, New York
"It’s About Memory", Rhona Hoffman Gallery, Chicago

2003

"my people were fair and had cum in their hair (...)", Team Gallery, New York
"Now Playing", D’Amelio Terras, New York
"Today’s Man", John Connelly Presents, New York
"Karaoke Death Machine", Daniel Reich Gallery, New York
"Memory of a Free Festival (Marisha Farnsworth, Shelby Hughes, Alpha Lubicz, Nick Mauss)", Houghton Gallery, Cooper Union School of Art, New York

2001

"Sharing Horizons That Are New to Us (Natalie Conn, Nick Mauss, Aleksandr Rossman, Sasha Stim-Vogel, Ken Okiishi)", Houghton Gallery, Cooper Union School of Art, New York
"Coal By Any Other Name: The Journey Towards The Good Taste (compiled and set on stage by Syntax, Early Century Unrest & The Society of Control a.k.a Stephan Dillemuth)", AFA - American Fine Arts Co., Colin de Land Fine Art, New York

Collections

Museum of Modern Art, New York

Whitney Museum of American Art, New York

Museum of Contemporary Art, Los Angeles

Walker Art Center, Minneapolis

Princeton Art Museum, Princeton

FRAC Champagne-Ardenne, Reims

Bibliography

2010

Fox, Dan, »Drawings and anachronisms; books, prototype designs and romanticism«, in: frieze, Issue 133, September 2010, S. 116,117
Müller, Dominikus, »Der Monotone Klang Schnurrender Katzen«, in: artnet.de, accessed: 04.05.2010

2009

Marshall, Piper, »Nick Mauss. 303 Gallery«, in: Artforum.com/critics’ picks, accessed: 25.11.2009
Rattemeyer, Christian (Ed.), The Judith Rothschild Foundation Contemporary Drawings Collection. Catalogue Raisonné, New York: The Museum of Modern Art 2009, p. 188 – 190
modern modern (Cat.), ed. by Pati Hertling, Berlin: Starship and New York: Chelsea Art Museum 2009
Mauss, Nick, »The Poem Will Resemble You«, Artforum, May 2009, p. 184 – 189

2008

Wolin, Joseph R., »Ken Okiishi + Nick Mauss«, in: Modern Painters, Dez. 2008/Jan. 2009
Mania, Astrid, »Vorwärts mit dem Gesicht nach hinten«, in: artnet.de, accessed: 28.11.2008
Mauss, Nick, Abandoned Painting. Nick Mauss on Jochen Klein, in: Artforum, XLVII, Nr. 2, October 2008, p. 356 – 361, p. 407
Mauss, Nick, with Ken Okiishi, A Fair to Meddling Story. JRP Ringier, Zurich 2008 Mauss, Nick, with Ken Okiishi, »Top Ten«, in: Artforum, XLVI, Nr. 7, March 2008
Bell, Kirsty, »Nick Mauss«, in: Frieze, Nr. 112, January – February 2008

2007

Sacher, Marko, »Ausstellung als Schnitzeljagd«, Stuttgarter Nachrichten, 11. 09. 2007 Zerweck, Dietholf, »Realität mit Fragezeichen«, Esslinger Zeitung, 19. 10. 2007 Stange, Raimar, »Da(n)dy Cool«, in: Spike, Issue 14, Winter 2007
Mauss, Nick and Ken Okiishi, One Season in Hell, New York 2007
Mauss, Nick, with Lucy McKenzie, Ken Okiishi and Paulina Olowska, »K/L/M/N/O/P – A Conversation via E-Mail, January 2007«, in: Noël sur le balcon/HOLD THE COLOR, ed. by Sammlung Goetz, Munich 2007
kbm, »Für einen Moment der vergeht«, in: tip Magazin, Issue 20., 20.9.–3.10.2007 N.N., »Nick Mauss (Announcement)«, in: Berliner Zeitung, 28.08.2007
Müller, Dominikus, »Dezente Massanfertigungen«, in: http://artnet.de/magazine/reviews/mueller/mueller09-11-07.asp, Accessed: 12.9.2007

2006

Cotter, Holland, »Between the Lines«, in: Art in Review, 24.3.2006
Smith, Roberta, »Who Needs a White Cube These Days?«, The New York Times, 13. 01. 2006

2005

»The Artist's Artists: Ei Arakawa, RIOT THE BAR«, Artforum, December 2005 Mauss, Nick, with Elizabeth Peyton, Nick Mauss and Elizabeth Peyton, ed. by Glenn
Horowitz Bookseller, East Hampton, New York 2005
Cotter, Holland, »Mind of a Writer, Hand of an Artist«, The New York Times, 28. 10. 2005
Cotter, Holland. »The Listings« The New York Times, 14. 10. 2005

2004

N.N., »Delia Gonzalez & Gavin Russom, Ken Okiishi & Nick Mauss«, in: Dune, Tokyo, No. 28, 2004
Genocchio, Benjamin, »Modern is Offered Trove of Drawings«, in: The New York Times, 21.09.2004
N.N., »Happenings: Home Economics«, in: New York Magazine, 9.8.2004
Smith, Roberta, »Emerging Talent, And Plenty of It«, in: The New York Times, 12.3.2004 Wilson, Michael, »Nick Mauss and Shelby Hughes / Christian Holstad«, in: Artforum, March 2004
Staniszewski, Jancek, »W Drgawkach Lambady«, in: Fluid, No. 38, 2004
Glueck, Grace, »The New Romantics«, in: The New York Times, 2004
N.N., »Mlodzi nowojorczycy w Warszawie«, in: Gazeta Wyborrcza (National Edition), 24–25.1.2004
N.N., »Nowojorskie prono«, in: Gazeta Wyborcza (Co Jest Grane), 23.1.2004
Cotter, Holland, »Sampling Brooklyn, Where Eclectic Flames Continue to Flicker«, in: The New York Times, 23.1.2004
Genocchio, Benjamin, »How an Art Scene Became a Youthscape«, in: The New York Times, 23.1.2004

2003

Yablonsky, Linda, »Nick Mauss, Shelby Hughes and Christian Holstad, Daniel Reich Gallery«, in: Time Out New York, 11.12.2003
Levin, Kim, »Magnetic Living: Daniel Reich Gallery«, in: The Village Voice, 10.12.2003 Ammirati, Domenick, »Now Playing«, in: Art US, Nov.–Dec. 2003
Cotter, Holland, »By and About Men, and They’re Running With It«, in: The New York Times, 8.8.2003
Carpenter, Susan, »The Scope L.A. Festival Trains its Gaze on the Cutting Edge«, in: The Los Angeles Times, 17.7.2003
Yablonsky, Linda, »Rock 'n' Roll Hall of Fame«, in: Art Review, July 2003 Dzuverovic-Russell, Lina, »New York: Daniel Reich Gallery: Karaoke Death Machine
Contemporary«, in: N.N., July 2003
Kimmelman, Michael, »Now Playing«, in: The New York Times, 18.7.2003
Pollack, Maika, »Karaoke Death Machine at Daniel Reich«, in: Flash Art, May–June 2003
Rimanelli, David, »Karaoke Death Machine at Daniel Reich«, in: Artforum International, Summer 2003
Johnson, Ken, »Karaoke Death Machine«, in: The New York Times, 2.5.2003